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Before this session was recorded I had begun to realize that the analude’s just scale, sliding notes, and foot volume control could be combined to make unusual sounds. Here I am beginning to explore how these sounds interact with each other, aided by a reverb/delay unit. This exploration continues in a different way in Part 2 (track 10 in Volume 2).


from The Underpass: Electric Analude Instrumentals, Volume 1, released December 21, 2012
Instruments: Mono electric analude; analog delay/reverb unit; harmonic distortion.
Recorded: 1981 in Ottawa.
Graphic: a spectrogram of 8 seconds of the finale of Part 2. Dark blue is silence and orange is sound, with time along the horizontal axis and frequency along the vertical axis.



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