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The Underpass: Electric Analude Instrumentals, Volume 1

by Steven Rowat

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about

   For over two hundred years equal temperament has had a near monopoly on the scales of pianos, organs, synth keyboards, guitars, saxophones, clarinets and other fixed note instruments, but in the late 1970s I'd been reading Harry Partch’s Genesis of a Music (Da Capo, 1974) in which he makes a convincing argument that the just scale will be musically superior. I decided I needed a way that I could hear in real-time what Partch was writing about, so in about 1980 I devised a custom slide instrument in order to compare the just and equal-tempered musical scales, and the ‘analude’ is the name I eventually gave to this instrument.
    Over the next few years I explored the analude’s musical capabilities and made recordings, and most of these are being published for the first time, in 2012, as the Electric Analude Instrumen­tals Volumes 1 and 2.

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released December 21, 2012

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